“…things have changed and it might be very beneficial for you to look at the options that are available now. You really can create a pro level recording at home on your computer…”
– Stewart Meredith, Engineer/Session Musician
Welcome once again to the Virtual Studio. This is the fourth instalment in the series and I'm going to back up just a bit to cover a few items in more detail. We discussed soundcards previously and based on some of the email I've received there are a couple points I would like to make as well as … Read More
While the acoustic guitar remains one of the most simple instruments by design, it also remains one of the hardest to get a great sound on in the studio. It's really not brain surgery, but knowing some of the basic laws of physics doesn't hurt. Unfortunately, I skipped school that day and didn't … Read More
Signal Effects: The main signal processing used in headset mixes is EQ, compression, reverb and possibly digital delay. These effects should not be recorded onto tape but can be added during the mix. If used properly per your needs and taste, adding at least a bit of reverb and correct EQing of your … Read More
"Good" is a subjective term. It can mean a couple of things when used in the context of making demo tapes. "Good" can mean the song (with a slant toward "hit" potential), or it can mean the engineering or production values on the tape. If the ultimate use of your demo is to land a record deal, … Read More
Well, it's a new year and a new century and high time I wrote a new installment of this column! Over the last few months I have received many emails and have responded to as many as I can. The questions I have been getting have shaped the subject matter of this segment. What I am realising is … Read More
Getting a record deal gets harder every year. The days of record impresarios like Phil Spector discovering a group, taking them into the studio and making them famous overnight are long gone. These days, the music business is sometimes more about the business than it is about the music. … Read More
Welcome to the Fifth installment of the Virtual Studio! In this issue we're going to walk through the process of tracking a song with attention to the various options available in the digital audio and MIDI environment. In the old days of tape the first consideration was usually how many … Read More
I usually wait until the deadline draws near before I write this column. But, I just flipped the page on my daily desk calendar and was inspired to write it now by what I saw: "Keep your mind focused on what you want and act accordingly. You will achieve success." Words to live by. As a matter of … Read More
I'm always amazed by how many people working in home studios think you need a $750,000 console, a 48-track digital machine, an arsenal of $2,000 microphones, and tons of outboard gear to make your tapes sound "professional." It's just not true. What you need is some basic knowledge about the … Read More
Welcome to the third installment of the Virtual Studio! In the first two issues we covered the hardware needed to put together a PC based studio. What I'm going to get into now is the software side of the equation. There is so much software out now that deals with recording and/or editing that … Read More