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Digital Light Sources and Positron have reached an exclusive agreement for DLS to market and sell Positron’s patented Voyager virtual reality chairs to cinemas in the United States. “DLS is very excited to work with Positron to bring this multi-sensory VR experience of a lifetime that offers the creativity and drama of cinematic storytelling and delivers it right to movie theatres," said Sami Haddad, president of DLS.
VR Chairs Coming to Cinemas
»POSTED on March 25, 2024
Digital Light Sources and Positron have reached an exclusive agreement for DLS to market and sell Positron’s patented Voyager virtual reality chairs to cinemas in the United States. “DLS is very excited to work with Positron to bring this multi-sensory VR experience of a lifetime that offers the creativity and drama of cinematic storytelling and... //READ MORE

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Features

Now streaming on Netflix, Good Grief marks the feature-film directorial debut of Daniel Levy, well known as the co-creator and costar of the series Schitt’s Creek. Offering an uplifting perspective on dealing with the permanence of losing a loved one, Good Grief follows Marc (played by Levy), who was content living in the shadow of his larger-than-life husband, Oliver (Luke Evans). Crafting a Visual Language for Grief
»POSTED on May 6, 2024
Now streaming on Netflix, Good Grief marks the feature-film directorial debut of Daniel Levy, well known as the co-creator and costar of the series Schitt’s Creek. Offering an uplifting perspective on dealing with the permanence of losing a loved one, Good Grief follows Marc (played by Levy), who was content living in the shadow of his larger-than-life husband, Oliver (Luke Evans). But when Oliver unexpectedly dies, Marc’s world shatters, sending him and his two best friends, Sophie (Ruth Negga) and Thomas (Himesh Patel), on a soul-searching trip to Paris that reveals some hard truths they each needed to face. Cinematographer Ole Bratt Birkeland, BSC and gaffer Chris Dowling made each of their decisions with the aim of embracing these realities. Panavision London supplied the production’s camera and lens package, and Panalux London provided lighting services. The filmmakers also worked with Light Iron for dailies and finishing services, including visual effects and final color. Light Iron’s VFX contributions included 3D tracking, reflection maps, motion vector mapping, rotoscoping, paint, and multi-layered compositing; in the final grade, Birkeland reteamed with supervising colorist Ian Vertovec. Supported throughout production and post, the filmmakers were free to skillfully explore the bright spots of bereavement. Here, Birkeland and Dowling discuss their approach to crafting the film’s visual language.
The first feature film from writer-director Shaun Seneviratne, Ben and Suzanne: A Reunion in 4 Parts depicts the struggle between love and duty as Ben (Sathya Sridharan) steps out on a limb to rekindle his relationship with Suzanne (Anastasia Olowin), who can’t escape the calls of her work. Seeking to make a film that felt grittier than the manicured qualities typically associated with romantic comedies, Seneviratne decided to employ non-actors in every role except the leads. Creating a Cinema Verité Look
»POSTED on April 29, 2024
The first feature film from writer-director Shaun Seneviratne, Ben and Suzanne: A Reunion in 4 Parts depicts the struggle between love and duty as Ben (Sathya Sridharan) steps out on a limb to rekindle his relationship with Suzanne (Anastasia Olowin), who can’t escape the calls of her work. Seeking to make a film that felt grittier than the manicured qualities typically associated with romantic comedies, Seneviratne decided to employ non-actors in every role except the leads. Complementing the decisions Seneviratne made in prep and on set with cinematographer Molly Scotti, Light Iron colorist Keith Jenson helped fine-tune the visual language in the final color grade, which took place at Light Iron New York ahead of the movie’s world premiere at the 2024 SXSW Film Festival. Here, Seneviratne and Jenson share their perspectives on their memorable collaboration.
Directed by Héléna Klotz, La Vénus d'argent (aka Spirit of Ecstasy) tells the story of Jeanne Francoeur (played by Claire Pommet), a young woman striving to escape the circumstances of her birth by morphing into a silent predator in the world of investment banking. Working with Panavision Paris, cinematographer Victor Seguin, AFC employed PVintage and Primo 70 lenses and a Panavised Sony Venice camera to help visualize Jeanne’s contrasting environments. A Spirit Between Worlds
»POSTED on April 22, 2024
Directed by Héléna Klotz, La Vénus d'argent (aka Spirit of Ecstasy) tells the story of Jeanne Francoeur (played by Claire Pommet), a young woman striving to escape the circumstances of her birth by morphing into a silent predator in the world of investment banking. Working with Panavision Paris, cinematographer Victor Seguin, AFC employed PVintage and Primo 70 lenses and a Panavised Sony Venice camera to help visualize Jeanne’s contrasting environments. Here, Seguin shares his experiences collaborating with Klotz and finding a unique look for each of Jeanne's worlds.
The music video for Ariana Grande’s yes, and? brings a modern approach to vintage allure. The video was directed by Christian Breslauer, who worked for the first time with cinematographer Gaul Porat. Together, the filmmakers found inspiration in well-chosen references and showcased the dynamic choreography with intentional framing and subtle, deliberate camera moves. Working with Panavision New York, Breslauer and Porat chose to work primarily with H Series spherical prime lenses. Creating a Vintage Allure
»POSTED on March 25, 2024
The music video for Ariana Grande’s yes, and? brings a modern approach to vintage allure. The video was directed by Christian Breslauer, who worked for the first time with cinematographer Gaul Porat. Together, the filmmakers found inspiration in well-chosen references and showcased the dynamic choreography with intentional framing and subtle, deliberate camera moves. Working with Panavision New York, Breslauer and Porat chose to work primarily with H Series spherical primes for the production, which came together quickly late last year. Here the two filmmakers share insights on their inspirations and collaboration.
Technology impacts almost every aspect of business at the 22 venues that Showcase Cinemas operates in Massachusetts, New York, Ohio, and Rhode Island. This includes optimized ticket sales via the company’s free smartphone app, e-ticketing, contactless payments, the online pre-ordering of food and drinks via its Xpress Pickup service, as well as a wide range of perks and services via its choice of membership and loyalty reward programs. Showcase Cinemas Upgrades its Digital Signage
»POSTED on March 4, 2024
Technology impacts almost every aspect of business at the 22 venues that Showcase Cinemas operates in Massachusetts, New York, Ohio, and Rhode Island. This includes optimized ticket sales via the company’s free smartphone app, e-ticketing, contactless payments, the online pre-ordering of food and drinks via its Xpress Pickup service, as well as a wide range of perks and services via its choice of membership and loyalty reward programs.
With its fourth season, the National Geographic series Genius presents a dual portrait of Martin Luther King Jr. and Malcolm X, inspirational leaders who paved parallel paths as pioneers in the American civil rights movement in the 1950s and ’60s. Genius: MLK/X traces their journeys from their formative years through their rise to prominence, as they each shaped a legacy that remains vitally important. Trevor Forrest, the lead director of photography for MLK/X, worked closely with Panavision. DP Trevor Forrest on Making MLK/X
»POSTED on February 26, 2024
With its fourth season, the National Geographic series Genius presents a dual portrait of Martin Luther King Jr. and Malcolm X, inspirational leaders who paved parallel paths as pioneers in the American civil rights movement in the 1950s and ’60s. Genius: MLK/X traces their journeys from their formative years through their rise to prominence, as they each shaped a legacy that remains vitally important. Trevor Forrest, the lead director of photography for MLK/X, worked closely with Panavision to select an equipment package based around Panavised Arri Alexa 35 cameras and Primo spherical lenses, with modified Anamorphic Flare Attachments used for key moments.

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