No Time to Die Metro-Goldwyn-Mayer & Eon Productions (2021) Chris and his team at Vision3 spent two years on the show, designing and supervising Daniel Craig's last Bond film and the first to be released in 3D.
Drop in the Ocean Conservation International / Vision3 Location based VR experience | Created by Adam May, Chris Campkin and Chris Parks. Shared experience using AI motion tracking system.
Jamaica BBC (1967) The first project for Peter and the team that were later to become Oxford Scientific Films saw them filming in Jamaica, for the BBC's first ever colour wildlife transmissions.
Ealing Film Loops Ealing Film Company From 1965, Peter and three colleagues spent 5 years travelling the length and breadth of the US capturing subjects for the Ealing Film Loops.
Voyage of Time IMAX Corporation Voyage of Time is a celebration of the universe, displaying the whole of time, from its start to its final collapse using Chris's fluid effects to create some of the most evocative moments.
Discovery Peter shoots some of the most detailed deep sea images in seven weeks aboard the British Deep See Research Vessel Discovery.
Superman I Warner Brothers (1978) Peter turned his expertise in filming plankton to create the Red Barrier Effect for Richard Donner's Superman I on his first studio feature film.
Saturn III ITC Films (1980) Peter again uses his technique from Supergirl to fly through the rings of Saturn for this Kirk Douglas feature film
Critical Distance Vision3 / Vulcan (2020) Social AR Experience produced by Vision3 and currently featured at the Smithsonian American Museum of Natural History in Washington.
Bugs 3D IMAX Corporation (2003) Peter and Chris work build the camera rigs and optics to film they ground breaking IMAX film which was pivotal in Peter being awards his Oscar.
Gravity Warner Bros (2013) Stereo 3D | Chris Parks acted as stereo supervisor from pre production through to delivery supervising both the stereo VFX at Framestore and the conversion at Prime Focus.
Lost Worlds IMAX For Bailey Silleck's Lost Worlds, The team filmed a flight over Victorian insect collections and maps of Guatemala, insectivorous plants and special effects filming of falling rain drops, with the drop filling frame, as they tracked it descending.
David Attenborough’s Natural History Museum Alive Colossus Productions (2014) Stereo 3D | Chris Parks supervised the stereo 3D for this David Attenborough film through the prep and shoot with Angus Cameron taking over for Post.
No Time to Die Metro-Goldwyn-Mayer & Eon Productions (2021) Chris and his team at Vision3 spent two years on the show, designing and supervising Daniel Craig's last Bond film and the first to be released in 3D.
Supergirl Warner Brothers (1984) Utilising the phenomena of total internal reflection, Peter creates an 'impossible to film sequence for Supergirl.
Fantastic Beasts and Where to Find Them Warner Bros (2016) Stereo 3D | Stereo Supervision by Chris Parks and additional Stereography by Angus Cameron stereo production based out of Vision3.
Land Rover: Above and Beyond Jaunt VR / Vision3 (2016) Chris supervised this VR360 film, shot and post produced by Vision3 to celebrate the Land Rover sponsored Americas Cup team.
Critical Distance Vision3 / Vulcan (2020) Social AR Experience produced by Vision3 and currently featured at the Smithsonian American Museum of Natural History in Washington.
Moët et Chandon Iconoclast Chris was brought on to collaborate on this iconic film celebrating life's most memorable events, creating abstract visualisations of those moments.
Saturn III ITC Films (1980) Peter again uses his technique from Supergirl to fly through the rings of Saturn for this Kirk Douglas feature film
Secret of Life on Earth Chris Parkons Peter and Chris again combine forces with Chris Parsons for the second time since Life on Earth for a Korean Expo IMAX film
Ealing Film Loops Ealing Film Company From 1965, Peter and three colleagues spent 5 years travelling the length and breadth of the US capturing subjects for the Ealing Film Loops.
Gravity Warner Bros (2013) Stereo 3D | Chris Parks acted as stereo supervisor from pre production through to delivery supervising both the stereo VFX at Framestore and the conversion at Prime Focus.
Bugs 3D IMAX Corporation (2003) Peter and Chris work build the camera rigs and optics to film they ground breaking IMAX film which was pivotal in Peter being awards his Oscar.
In The Heart of the Sea Warner Bros (2015) Stereo 3D | Stereo Supervision by Chris Parks and additional Stereography by Angus Cameron stereo production based out of Vision3.
Scalextric Scalextric (1987) Peter films an over the shoulder view of racing Scaletrix cars - but not in the way he originally intended!